A Biographical Dictionary of Fiddlers di A. Mason Clarke

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      3 18 Biographical [Dictionary of Fiddlers.
      But well as they were given by him, the frequent childishness of the melodies, and the poverty of the harmonies (almost always three-voiced only) were no less unpleasing to me, than in all those I had heard before.
      One can hardly understand how a cultivated artist like Baillot, to whom our treasures in compositions of this kind are known, can bring himself to play those quintets still, whose worth consists only in the regard had to the period and circumstances under which they were written. But that they are here listened to with as much pleasure as a quintet of Mozart is another proof that Parisians cannot distinguish the good from the bad, and are at least half a century behind in art. I heard Habeneck play two airs varies of his composition. He is a brilliant violinist and plays much with great rapidity and ease. His tone and his bow-stroke are somewhat coarse."
      Kreutzer Junior, the biother and pupil of the elder, played to me a new, very brilliant and graceful trio of his brother's composition. The manner in which he executed it reminded me somewhat of the style of the elder one, and satisfied me that they are the purest players of all the Parisian violinists. Young Kreutzer is wanting in physical power, he is somewhat ill, and dare not


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A Biographical Dictionary of Fiddlers
including performers on the Violoncello and Double Bass past and present
di A. Mason Clarke
Wm. Reeves London
1895 pagine 360

   

Pagina (311/374)






Biographical Dictionary Fiddlers Baillot Mozart Parisians Habeneck Kreutzer Junior Parisian Kreutzer But His The